It's Winter Break! Bwog will be moving in slow motion.

Class Act: It's Time for Another Rendition of "Roar, Lion, Roar"

Embracing all things collegiate, Bwog joined the class of 2012 last night in Roone Arledge Auditorium for Class Act: Advance Screening.

Day One of NSOP challenged the wily troop of 12s with long lines, dorm room design, and familial farewells followed by awkward introductions and icebreakers. But no odyssey draws to a close without its due reward. To initiate the 12s into dear alma mater, NSOP offered up an Class Act, an evening of campus tips and trivia and brazen leonine spirit.

As is tradition with all Columbia events, Class Act began a full half hour late. OLs and their charges kept busy with the multiple-choice quizlets projected on a screen at the front of the auditorium. Although this competitive and cognitive exercise quickly won the crowd's attention, the first skit, featuring a cell phone toting personification of the Alma Mater statue, dragged on with repetitive, but well-received, nods to the new class.

Following that, Belinda Archibong, NSOP coordinator and Convocation's breakout star, introduced a short film featuring OLs' favorite places around town. The OLs responses ranged from local (Dodge gym and John Jay cafeteria) to somewhat more adventurous (B.B. King Blues Club and Grill and Steps Dance Studio.) Although the gym and JJ enthusiasts received the most laughs -- obviously their intention -- the homebody OLs came off as more sincere in their responses than their ostensibly more savvy counterparts.

But without a doubt, Class Act favored kitschy cheer over savvy insight. To further rally CU pride, the newbies were subject to a harrowing pep talk given by Women's Volleyball coach, Jon Wilson, accompanied by the Columbia marching band, complete with Roar-ee in his signature light blue jersey and three spandex-clad and sparkly members of the dance team. The speech ended with a solicitation for frosh volleyball fans, promises of free t-shirts and an obligatory "Roar, Lions, Roar."

And while it was a lot of fun to see a tuba and blue and white pom-poms, the Varsity Show performance was the highlight of the night, in which stars from last spring's show sang and danced a medley of V Show classics with older cast members -- though the performance lacked some of the V Show's wittier numbers. The lyrics riffed on the familiar Columbia content: hating on NYU, the swim test, Ivy League in-jokes, Facebook and the like. Class Act ended as Jessica Marinaccio, the peppy and platinum blonde Dean of Undergraduate Admissions, and rather blithe Kevin Shollenberger, Interim Dean of Student Affairs, shared the podium and led the crowd in the final rendition of "Roar, Lion, Roar", as is the NSOP way.

-- Mariela Quintana


Posted by Mistake : #1 · reply · track
August 26, 2008 at 4:17 PM (from campus)
It was not half an hour late, the doors opened promptly at 7

and those onstage were not OL's but the party responsible for planning NSOP, the committee members.

Get it right bwog. turds.
Posted by Writer a 2012? : #2 · reply · track
August 26, 2008 at 5:02 PM
This thing is the same every year, V-Show songs and all. No real need for a review.
Posted by Anonymous Freshman : #3 · reply · track
August 26, 2008 at 11:50 PM (from campus)
Alma Mater was totally hot! Who would notice if she repeated herself a bit?
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01/10/2009


Apply now and keep everyone updated on the artistic pulse of the Columbia campus! Postcrypt Art Gallery is looking for a dedicated webmaster to maintain the official Postcrypt site, www.postcrypt.info. Please e-mail jenny@postcrypt.info with your name, year and school, experience, and statement of interest.

The application deadline is January 10, 2009.


01/24/2009

Contact email: helvidius@columbia.edu

Publish that senior thesis! In its 20th year of publication, the Journal of Politics & Society is inviting submissions for its 2009 edition, which will be distributed in Barnes & Noble and Borders. Please email essays to helvidius@columbia.edu or visit http://www.helvedius.org
for more info. Deadline: January 24, 2009, all disciplines welcome.


01/26/2009

Contact email: cujh@columbia.edu

Positions on the editorial board are competitive, and choices are made by a committee of current editorial board members. To apply, send the following materials to cujh@columbia.edu with the subject line: Prospective Editor Application

Include your name, year, and majors and specializations;

A list of courses taken in the history department, or related courses relevant to the field of history (Philosophy of History; Historical Sociology, etc);

A writing sample of 5 to 7 pages, double-spaced, 12 point font dealing with a historical topic; it may be an excerpt from a larger paper, include a brief abstract if necessary;

An estimate of your availability for the Spring 2009 Semester; include other commitments and positions, and your ability to commit to the extensive reading and editing that a position on the editorial board requires.

The DEADLINE for all applications is JANUARY 26th, but we encourage you to prepare your application and send it right away. Email it with writing sample attached to: cujh@columbia.edu


02/01/2009

Contact email: periwynkle@gmail.com


Do you like to read and write about books, attend literary events/exhibitions, and frequent cafés and bookstores for readings by authors and poets? If you answered yes to any part of the above question, you should write for Spectator Books! My name is Yin Yin Lu, and I am the new Spectator A&E Books Editor. There are many benefits and inimitable opportunities for Books writers besides being able to see your name in print: interviewing all sorts of published writers, from debut novelists to Nobel Peace Prize winners, attending events at the NYPL, Symphony Space, book festivals, and museums for free, and getting free review copies of books before they are released! Last semester, for instance, I interviewed Lytton Smith and Karen Russell, both published graduates of the Columbia MFA program, attended a talk with critics James Wood and Daniel Mendelsohn at the NYPL, and heard Malcolm Gladwell speak at the New Yorker Festival.

Besides being exposed to these exciting opportunities, another reason you should write for Spectator Books is that it is not a long-term commitment - you can contribute as often or as little as you like. You can start your own column, write a recurring feature, or submit an article once every few weeks (or once the entire semester). Moreover, articles are flexible in terms of length and style, depending on whether they are features, reviews, or pieces for the Eye (Spectator's weekly arts and features magazine). Or you can post reviews of any length or style anytime you want on Spectacle, A&E's new and amazing blog.

There really are no obligations to being a Spec Books writer besides actually writing the articles that you want to. I will be sending e-mails with pitches and other information every week, and holding biweekly meetings at the Spec office, but those are not mandatory and are just an opportunity for me to assign pitches and meet my writers.

Completely enticed? Mildly interested? Still uncertain and would like more information? Whatever the case, e-mail me at periwynkle@gmail.com.


02/09/2009

Contact email: cufilmproductions@columbia.edu

Columbia Undergraduate Film Productions is launching our inaugural Production Season to write and produce original short films for our Film Festival!

CUFP Production Season will consist of intensive Screenwriters' Workshops and Directors' Workshops to offer you full creative and logistic support from your peers as you make your films on campus! We are looking for talented writers and directors who are passionate about film to create fresh, interesting material for our film festival.

Ideal candidates will be enthusiastic about film, dedicated to the workshop process, and excited to work on short films in a CUFP workshop setting. Workshops will be late Sunday afternoons and some Monday evenings.

The DEADLINE for Writers' Applications is Friday January 23.
The DEADLINE for Directors' Applications is Monday February 9

All Applicants: Send an e-mail with your name, e-mail, phone number, and school and class information to CUFPproductionseason@gmail.com. Please write a short personal statement (why are you interested in CUFP Production Season? How will you benefit from the workshop process?). Make sure to include all relevant experience with film and writing and/or directing.

**Writers: Please attach a screenwriting sample in Microsoft Word format. Writing sample should be maximum 5 pgs and should give us an idea of your narrative style and genre interest. It does not have to be the short film you will work on in workshop, but if it is not please include pitches/ideas for a short film you would like to workshop.


02/15/2009

Contact email: rhapsody@columbia.edu


Rhapsody in Blue, Columbia's urban affairs journal, having successfully, if belatedly gotten its first semester magazines in hand, is going to try again.

We're back to North America this semester. We need pitches from you. We want thoughtful, interesting, fun pieces that say something about cities. What are you interested in writing about? The first step is to send us a pitch--a paragraph about what you want to talk about, how will you do it? Pitches are due February 15. You'll hear from us if it's a go and drafts due a month later.

Old issues are on our website if you'd like to see more. Great opportunity to publish ideas from class, etc.

Send an email by us with any questions. Our FIRST MEETING for anyone interested in learning more about writing, editing, web or layout will be Wed, JAN 28, at 7:30, Broadway Piano Lounge. Also stay tuned for the study abroad blog, which should be going somewhere this semester. Let us know if you're interested in that as well.


01/6/2010

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