Professor Karl Kroeber is restless of mind, the sort of academic who likes pioneering new fields and then abandoning them. The loquacious and sagacious fellow, brother to Ursula Kroeber Le Guin [see right], currently teaches the ever-popular children's lit course. He talked to us about growing up, "the business of imagining," why he hates Disney, coming to terms with cancer, the Navy, and just about everything else.
BW: You keep your robes on your coat-rack?
Kroeber: You never know when I might have to rush out and prove I'm an academic.
Can you tell us how you ended up here?
My father... was an academic in the 19th century. And I came to Columbia- I grew up in California- at the end of the second war. I was in the Navy.
I was [also] a radio announcer; I came to New York, went to a little school and got a job out in Iowa. I got pretty good at it, and I came back to New York because this is where you had to go (this is about '49-'50). I got into an interesting situation, a very lucky situation. Being a radio announcer is not hard work; it's very easy if you're glib like I am and have a California accent and most of the people [in the business] are drunks and I could go ahead... But, I said, "there's nothing in this life for me."
Congratulations on the semi-centennial of your PhD. [This year marks the 50th anniversary of Kroeber's doctorate.]
(Laughs) I've been around a long time. I had a job out in Wisconsin, at Madison, for 15 years. Lovely place, swell place to bring up kids and all that. We had a beautiful house in Madison. Next to [University of California at] Berkeley, it was the place that had the most trouble in the 60s. This was a school that admitted four thousand freshmen a year and they eliminated freshman composition. You couldn't teach there. I had to come back here, and I had three kids. We didn't want to live in the suburbs. My wife's a sculptor- you can't sculpt in an apartment. We bought a brownstone in Brooklyn for a few thousand dollars. Best investment I think I ever made.